### ILY2 NEW YORK | Now Open, Thurs - Sat, 12 - 6pm | 35 St James Pl, New York, NY, 10038 ### ...

ILY2 is thrilled to announce the opening of a new exhibition space at 35 Saint James Place, New York, NY. The gallery will open to the public in Spring 2025, coinciding with ILY2’s two-year anniversary and marking an exciting evolution of its mission.

Opening its doors for the first time, ILY2 New York will present the second iteration of SOFT PINK HARD LINE, a group exhibition in two parts, with work by Colleen Billing, Justin Cloud, Y. Malik Jalal, Bonnie Lucas, Catherine Telford Keogh, Hannah Levy, Umico Niwa, and Leena Similu. The inaugural show will open Saturday, May 17 from 6 - 9pm at 35 Saint James Place, New York, NY, 10038.

The exhibition’s title engages the linguistic and cultural implications of demarcation. If “drawing a hard line” connotes rigidity and finality—an assertion of boundaries that distinguish one state from another—then the soft pink line represents nuance, plasticity, and tenderness. The boundary becomes provisional: a threshold that invites reconsideration, subverting decisiveness in favor of sincerity. In contrast to the definitive black line, the pink line is mutable—assertive yet permeable, capable of holding its form while allowing for slippage and reinterpretation.

The artists in the show demonstrate these themes both aesthetically and conceptually. The exhibition is defined by contrasts—delicate pastels against bold primary colors, harsh industrial metals against soft, handwoven textiles, and the skillful manipulation of negative and positive space. Operating outside traditional categories, the works suggest that the creative process is not a means to an end but a perpetual state of flux—an attempt to connect and find moments of understanding, even if fleeting. Embracing this porousness, they reveal reciprocity as a radical form of resistance.

Structured in two parts across two distinct locales - Portland, OR and New York, NY - the exhibition unfolds not as a singular event, but as a series of shifting encounters. Its second iteration gestures toward a third intangible locus: a conceptual space that exists beyond the constraints of time and geography. Analogous to the overlapping segment of a Venn diagram, this nonlocal zone emerges from conscious imagination, positioning perception (rather than venue) as the primary site of meaning. As the exhibition moves through different stages, its contours shift — a process of becoming that resists totality. The presence of some artists is defined by their absence: works shown in one iteration morph and reverberate in the next, their conceptual threads teased out and unraveled only to re-entangle again. Through these varied gestures, the mind becomes a site of synthesis, bridging distances and constructing an experience that extends beyond first-hand observation.

📍
ILY2 New York
35 Saint James Pl
New York, NY, 10038

Download PDF
SOFT PINK HARD LINE | PART II, Installation view. Photo by Mikhail Mishin.
SOFT PINK HARD LINE | PART II, Installation view. Photo by Mikhail Mishin.
Catherine Telford Keogh
Pollinator (Dust Garden I), 2023
Mold-blown glass (Leaktite™ 2 Gallon White Plastic Pail), UV degraded bread packaging, found plastic packaging, found slides (sunsets), De Cecco™ Spaghetti No. 12, found aluminum foil shards, sandblasted glass, formed steel rod, bread bag ties, agar agar glass petri dish plate inoculated using the artist's finger and dust collected from the gallery carpet.
13 1/2 x 9 x 9 inches
Catherine Telford Keogh, Pollinator (Dust Garden I), 2023, detail. Photo by Mikhail Mishin.
Hannah Levy
Untitled, 2023
nickel-plated steel, glass
10 1/2 x 100 1/2 x 7 1/4 inches

Courtesy the artist and Casey Kaplan, New York. Photo by Phoebe D’Heurle.
Hannah Levy
Untitled, 2023
nickel-plated steel, glass
10 1/2 x 100 1/2 x 7 1/4 inches

Courtesy the artist and Casey Kaplan, New York. Photo by Phoebe D’Heurle.
Hannah Levy, Untitled, 2023, detail. Courtesy the artist and Casey Kaplan, New York. Photo by Phoebe D’Heurle.
Bonnie Lucas
Untitled, 1978-79
assemblage on fabric
11 x 8 1/2 inches
Bonnie Lucas
Untitled, 1978-79
assemblage on fabric
11 x 8 1/2 inches
Umico Niwa
Daphne Adorned Series, 2025
pewter, foraged organic materials
dimensions variable (3 figures, approx. 5 x 6 x 4 inches each)
Umico Niwa
Daphne Adorned Series, 2025
pewter, foraged organic materials
dimensions variable (3 figures, approx. 5 x 6 x 4 inches each)
Catherine Telford Keogh
Mallard Collection (Stacked Dust Gardens), 2023
Mold-blown glass (Leaktite™ 2 Gallon White Plastic Pail), formed mirrored stainless steel, waterjet cut stainless steel, formed steel rod, sandblasted glass, waterjet cut onyx, natural latex MAPA™ Eco-Food Work Glove, found newspaper, inherited taxidermied mallard duck wings, found plastic, studio dust.
30 3/4 x 9 x 9 inches
Catherine Telford Keogh, Mallard Collection (Stacked Dust Gardens), 2023, detail. Photo by Mikhail Mishin.
Catherine Telford Keogh, Mallard Collection (Stacked Dust Gardens), 2023, detail. Photo by Mikhail Mishin.
Catherine Telford Keogh
Environmental Brands (Dust Garden II), 2023
Mold-blown glass (Leaktite™ 2 Gallon White Plastic Pail), formed mirrored stainless steel, Crafters Square® laser cut letters, waterjet cut stained glass, formed steel rod, sandblasted glass, waterjet cut stainless steel, compressed landfill remnants, found plastic packaging, household dust, found aluminum foil, Figeater Beetle. 
15 3/8 x 9 x 9 inches
Catherine Telford Keogh, Environmental Brands (Dust Garden II), 2023, detail.
Justin Cloud
Skipping Class, 2025
aluminum repousse, oil, solvent dye, ball bearings, in aluminum artist frame
30 x 30 x 4 inches
Justin Cloud, Skipping Class, 2025, detail.
Leena Similu
Orange with platinum mouth, 2024
glazed ceramic
8 1/4 x 8 3/8 x 5 inches
Leena Similu
Orange with platinum mouth, 2024
glazed ceramic
8 1/4 x 8 3/8 x 5 inches